By Mesfin Fekadu ,AP
NEW YORK — Just before Flo Rida released his third album, almost two million fans purchased the first single “Club Can’t Handle Me,” helping the rapper snag yet another Top 10 hit in the U.S.
But in its first week out, only 11,000 people bought the 8-song EP — “Only One Flo Part 1” — making its debut measly at No. 107 on the Billboard charts. And in nearly two years, the album has only sold 62,000 units, according to Nielsen SoundScan.
Flo Rida’s experience in 2010 is being repeated again and again in today’s pop scene. He’s just one of many acts who suffer from an imbalance: They have a multitude of hits, but anemic album sales.
Years ago, a hit song was usually accompanied by a gold or platinum album, and multiple hits meant multiplatinum albums. But times have changed.
“If you used to have a big single, you would sell a million albums, and if you sell a million albums and you’re a band, you can probably not have to work for a couple years. We don’t have that luxury,” said Cobra Starship’s lead singer Gabe Saporta.
Cobra Starship had a top 10 hit with the double platinum dance jam “You Make Me Feel…” but their latest album debuted at No. 50 and has sold a mere 33,000 units. Gym Class Heroes, which had a top-5 hit with the triple-platinum “Stereo Hearts” and success with its follow-up “(Expletive) Back Home,” saw its fourth album, “The Papercut Chronicles II,” debut at No. 54 on Billboard’s Top 200 albums chart, spending just one week on the list. Its lead singer, Travie McCoy, had a similar issue with his 2010 solo debut “Lazarus.” While the single “Billionaire,” featuring Bruno Mars, sold more than three million tracks, the album only moved 74,000 units.
Ne-Yo, the Grammy-winning hitmaker who has written smashes for the likes of Beyonce and Rihanna, blames the phenomenon on a lack of personality and originality from the artists.
“I feel like it falls on the shoulders of not only the record label, but the artists themselves. I feel like the thing that makes you go out and get a person’s whole album is you liking that artist, you connecting with that artist,” said Ne-Yo, who recently became the senior vice president of A&R for Universal Motown Records.
“I feel like a lot of people are saying that the industry is moving to just being singles-driven, and that’s kind of a cop-out to me. So it’s like, basically that means that we sign a bunch of disposal artists, you know, as long as we get one hit that’s good? That’s B.S.,” Ne-Yo said.
Ne-Yo added that today’s music executives should be “taking the time and spending the money that it takes to make sure that you’re building icons, not fly-by-night, add water-and-stir artists.”