NEW YORK — The R-rated “X-Men” spinoff “Logan” slashed into the weekend box office, opening with a massive US$85.3 million in North American theaters, according to studio estimates Sunday, while best-picture winner “Moonlight” got a significant, if far from superhero-sized, Oscar bump.
The debut of 20th Century Fox’s “Logan,” starring Hugh Jackman as Wolverine, ranks among the biggest March openings ever and top R-rated debuts. Like last year’s R-rated “Deadpool” (also a Fox release), the better-than-expected opening for “Logan” — a darkly violent, grittily dramatic movie applauded by critics — further proves moviegoers’ hunger for less conventional comic book films.
“’Deadpool,’ was to comedy what ‘Logan’ is to drama. The only common theme is that they’re quote-unquote ‘comic-book movies’ and they’re rated R,” said Fox distribution chief Chris Aronson, who credited director and co-writer James Mangold and Jackman for executing their personal vision for the film.
Jackman has said it will be his final performance as Wolverine, whose claws he has worn for 17 years. “Logan,” made for about US$100 million, also sold US$152.5 million in tickets overseas.
“On a global scale, we’ve exceeded all pre-release expectations,” Aronson said.
Last week’s No. 1 film, Jordan Peele’s horror sensation “Get Out” slid just 22 percent — a small drop for any movie but particularly in the horror genre. The acclaimed Universal Pictures release, made for US$5 million by Blumhouse Productions, dropped to second place but still grossed US$26.1 million. Its 10-day total is US$75 million.
The Oscar best-picture winner “Moonlight” had its widest release yet, appearing on 1,564 screens. It turned in its biggest weekend, too, with an estimated US$2.5 million. That accounts for roughly 10 percent of the movie’s total domestic haul of US$25.3 million.
“Moonlight,” made for just US$1.5 million, is also out on DVD and on-demand. Indie distributor A24 said it will be its highest-grossing release in its five-year existence. “Moonlight” also ranks fourth on iTunes.
“That’s a true Oscar halo effect in full view,” said Paul Dergarabedian, senior media analyst for comScore. “Usually the biggest bounce comes from the nominations. But this film hadn’t made a ton of money. A24 smartly expanded into more theaters, and it really worked for them.”
Barry Jenkins’ drama is nevertheless one of the least widely seen best-picture winners. Only Kathryn Bigelow’s “The Hurt Locker” (US$17 million) earned less at the domestic box office.
Though it memorably did not win best picture, Lionsgate’s “La La Land” — winner of six Academy Awards — is closing in on US$400 million globally after adding another US$11 million internationally and US$3 million domestically.
Lionsgate’s “The Shack” also opened in North American theaters over the weekend and came in third with US$16.1 million. The Christian tale, starring Sam Worthington and Octavia Spencer, was slammed by critics, but it attracted one of the largest faith-based audiences in recent years.