In Milan, Ferragamo, Cavalli focus on color, inclusiveness

In Milan, Ferragamo, Cavalli focus on color, inclusiveness
A model wears a creation as part of the Roberto Cavalli women's Fall-Winter 2019-2020 collection, that was presented in Milan, Italy, Saturday, Feb.23, 2019. (AP Photo/Luca Bruno)

MILAN (AP) — Color was the watch word on the fourth day Saturday of the mostly womenswear collections during Milan Fashion Week.

The Salvatore Ferragamo and Roberto Cavalli fashion houses each set off neutrals with bursts of hues while combining their women’s and men’s previews for Fall/Winter 2019-20. Ferragamo’s color palette ranged from a peacock blue to an icy sage, mauve with forest green, while the Cavalli collection turned on a melange of turquoise, magenta, ochre, saffron and sky blue.

Another trend on Milan runways this season: including older models, a sign that fashion houses are taking their laser focus off millennials and returning it to a significant luxury demographic.

Some highlights of Saturday’s shows:

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SALVATORE FERRAGAMO OWNS LEATHER

Salvatore Ferragamo’s latest collection drew inspiration from the brand’s heritage with sculpted heels on footwear, a fresh emphasis on leather ready-to-wear and lots of color, combining innovation and craftsmanship to create a modern vibe.

The combined womenswear and menswear collections included leather apparel for day and night, stretching beyond overcoats and footwear. That included long leather skirts with a pretty slit, a long black leather evening gown and a leather jumpsuit, as well as sportier suits for him and for her.

“Being a luxury heritage brand, I feel like we should own leather dressing,” said Ferragamo creative director Paul Andrew.

A Nappa leather puffer coat that had the sheen of technical fabric in a luxurious chocolate brown summed up the collection’s innovation.

“You pick it up and it’s lightweight. It’s built in a way that you can just sort of scrunch it up into nothing,” Andrew said.

The brand’s signature footwear included a remastered sculpted heel inspired by a 1968 design by Fiamma Ferragama for women and rugged Nubuck trekking boots for men.

Andrew included older models on the runway because “they really epitomize the woman that I am going after. In fact, Ferragamo is not dressing 17-year-old girls only. We also have clients who are 30, 40, 50, 60, 70.”

Andrew, who joined Ferragamo in 2016 as shoe designer then added womenswear, was named this week as creative director for the fashion house. He will continue the collaboration Guillaume Meilland, head of menswear, with both working across the segments for a complete vision.

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ROBERTO CAVALLI REINVENTS ANIMAL PRINTS

Creative director Paul Surridge’s opening look for Roberto Cavalli was a print with the power and shades of an Arizona sunset, giving the brand’s heritage animal print designs a fresh new twist and planting color at the center of the new collection.

The collection offered women and men a sense of freedom in both movement and dressing. A pleated mini-dress billowed into evening length in the back, while knit dresses echoed the silkier pleating, projecting a contemporary silhouette with stronger shoulders and narrow bodice.

Standout pieces included dresses decorated with shells and studs to create a rich pattern and snug, beaded art-deco evening dresses with cut-outs to reveal an under-layer that Surridge said was meant to be suggestive of a body tattoo.

Coats for men featured exaggerated buttons and closures, while suits were dressed up with colorful patterned turtlenecks under suit jackets and shirts. For younger dressers, there were ski vests over big animal-print anoraks and matching tops, with the brand’s new Vortex sneaker.

“It’s about pushing boundaries. You have to be inclusive, not only on body shape but also age, and offering modern solutions for day, evening and cocktail,” Surridge said backstage.